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Chapter 3 - THE DEAD WOMAN IN THE BASEMENT

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The alarm wasn't loud.

A soft electronic pulse.

Three tones.

Pause.

Three tones again.

Dante moved first.

“Lock the upper floors.”

Luca was already speaking into his phone.

“Done.”

“Elena stays here.”

“No.”

Dante turned.

Elena was pale, barefoot, bruised, and shaking.

But she was standing.

“No,” she repeated. “If that woman is my mother, I'm coming.”

“You're not.”

“You don't get to decide that.”

“I do inside this house.”

“Then fire me.”

Luca's eyes flicked toward Dante.

Dante's jaw tightened.

“Elena.”

“I buried her when I was fifteen.”

Her voice broke.

“I stood next to Adrian while they lowered her into the ground. If somebody is wearing her face downstairs, I am coming.”

Dante stared at her for several seconds.

Then he picked up a folded blanket from a chair and tossed it toward her.

“Put that around yourself.”

Elena caught it.

“Shoes?”

“No time.”

He opened the kitchen door.

Two guards waited outside.

“Marco, west stairs. Jonah, kitchen entrance. Nobody gets in or out without Luca's authorization.”

They moved.

No questions.

Elena followed Dante and Luca through a pantry door she had opened hundreds of times.

Except Dante didn't enter the pantry.

He pressed his palm against a carved wooden panel beside the shelves.

Something clicked.

The entire wall shifted three inches.

Elena stopped.

“You have a secret door in the pantry?”

Dante glanced over his shoulder.

“It's an old house.”

“That doesn't explain anything.”

“It explains rich Italians.”

Despite everything, a startled laugh escaped her.

Dante looked at her.

For half a second, something in his eyes warmed.

Then it disappeared.

They descended a narrow stone staircase.

The air changed.

Colder.

Damp.

The walls were unfinished limestone, far older than the polished mansion above.

“This property belonged to bootleggers before my grandfather bought it,” Dante said.

“That explains more than rich Italians.”

Luca almost smiled.

At the bottom, they reached a corridor illuminated by emergency lights.

Two armed men stood near an open steel door.

One pointed.

“She went through there.”

“Camera?”

“Dead.”

“How long?”

“Seven minutes.”

Dante's expression hardened.

“Convenient.”

They entered.

The tunnel smelled of wet stone and rust.

Water dripped from pipes overhead.

Elena pulled the blanket tighter around herself.

The photograph on Luca's phone replayed in her mind.

Her mother's posture.

Her mother's walk.

Helena Caruso had moved with a slight limp after breaking her ankle when Elena was six.

The woman in the image had the same limp.

That wasn't a disguise.

Not unless someone had studied her mother for years.

The corridor turned.

A door stood open.

Beyond it was an old wine storage room.

And in the middle of the room, sitting calmly on a wooden crate, was Helena Caruso.

Alive.

Elena stopped so abruptly Dante nearly collided with her.

Her mother looked older.

Of course she did.

Eighteen years older.

Gray hair cut to her jaw.

Lines around her mouth.

A scar across her forehead Elena had never seen.

But her eyes were the same.

Green.

Elena's eyes.

“Elena,” Helena whispered.

The sound tore something open.

Elena crossed the room before anyone could stop her.

Then she slapped her mother across the face.

The crack stunned everyone.

Helena did not move.

Elena's chest heaved.

“You're alive.”

“Yes.”

“You're alive.”

“Yes.”

“I cried for you.”

“I know.”

“I was fifteen!”

“I know.”

“You let me bury you!”

Helena's face crumpled.

“I know.”

Elena slapped her again.

Dante caught Elena's wrist before there could be a third.

Not hard.

Just enough.

“Elena.”

She ripped her hand away.

Helena looked at Dante.

“You're Paolo's grandson.”

Dante's eyes went cold.

“You knew my grandfather?”

“Very well.”

“That answer should worry you.”

“It does.”

Luca searched the room.

“No weapons.”

Helena laughed bitterly.

“If I'd come armed, Luca Ferraro, you would have killed me three corridors ago.”

Luca froze.

“You know me?”

“I know everyone who has protected a Moretti since 2004.”

Dante stepped between Helena and the door.

“Then you know this conversation won't end until I understand why you're beneath my house.”

Helena looked at Elena's face.

Her expression changed.

“Who did that?”

Elena gave a broken laugh.

“Now you get to ask?”

“Who?”

“Adrian.”

Helena closed her eyes.

Pain moved over her face.

“Then we're later than I thought.”

Dante leaned against the stone wall.

“Later for what?”

Helena reached inside her coat.

Three guns lifted instantly.

“Slowly,” Luca warned.

She pulled out an envelope.

Old.

Yellowed.

She placed it on the crate.

“Gabriel left this with me before he disappeared.”

Elena stared.

“My father is alive too?”

Helena looked at her daughter.

“No.”

This time there was no ambiguity.

“He died seventeen years ago.”

Elena's breathing stopped.

“How?”

“Marco Bellini killed him.”

Silence.

“He found Gabriel hiding in Quebec.”

“You said he died in Wisconsin.”

“I lied.”

“I noticed.”

Helena swallowed.

“Your father stole something from Marco.”

“The ledger.”

Helena looked at Dante.

“So you know.”

“Enough to know why people would kill for it.”

“No. You know what Marco wants people to think it is.”

Dante's expression sharpened.

“What is it?”

Helena looked at Elena.

“Your inheritance.”

Elena almost laughed.

“I don't have an inheritance.”

“Yes, you do.”

“What? Blood money?”

“No.”

Helena pushed the envelope toward her.

“An insurance policy.”

Elena didn't touch it.

Dante did.

He opened the envelope.

Inside was a photograph.

An old bank key.

And a single folded sheet of paper.

Dante read it.

His face changed.

Luca noticed.

“What?”

Dante read the page again.

Then he looked at Helena.

“Where did Gabriel get this?”

“He wrote it himself.”

Dante handed the paper to Elena.

She read.

At first, the words didn't make sense.

Names.

Dates.

Percentages.

Then one phrase stopped her.

MORETTI-BELLINI TRUST.

She looked up.

“What is this?”

Dante said nothing.

Helena answered.

“Twenty-eight years ago, the Moretti and Bellini families created a financial trust to move legitimate real estate holdings out of criminal investigations.”

Dante's face remained still.

“My grandfather would never have allowed Bellini control.”

“He didn't.”

Helena pointed to the page.

“Gabriel did.”

Elena read the percentages.

Paolo Moretti — 45%.

Marco Bellini — 45%.

Gabriel Caruso — 10%.

Beneath that was another clause.

TRANSFER ON DEATH TO SURVIVING ISSUE.

Elena's blood chilled.

“Surviving issue?”

“Children,” Dante said.

Helena nodded.

“Gabriel's ten percent passed to you and Adrian when he died.”

Elena stared.

“Ten percent of what?”

Helena's eyes moved to Dante.

Dante answered.

“Moretti Development Group.”

Elena laughed once.

Then saw nobody else was laughing.

“The company that owns half the riverfront?”

“Closer to a third.”

“And Bellini?”

“Hotels. Warehouses. Commercial properties. Restaurants.”

Helena leaned forward.

“The trust now controls assets worth approximately one-point-eight billion dollars.”

Elena forgot the bruise.

Forgot the cold.

Forgot everything.

“That's impossible.”

“No,” Helena said. “It's why Marco needs you.”

Elena's eyes narrowed.

“He doesn't need me. He needs my brother.”

“He needs both of you.”

“Why?”

“Because your share can't transfer without your signature.”

Dante's head turned.

“Marco wants the Caruso ten percent.”

Helena nodded.

“If he gets it, he reaches majority control when combined with several proxy holdings.”

“And then?” Luca asked.

“He owns enough voting power to dismantle Dante's company from inside.”

Dante smiled.

It was not a pleasant smile.

“So this isn't about money.”

Helena shook her head.

“It's about removing the Morettis without firing a bullet.”

Elena stared at the document.

Her fingers felt numb.

“Adrian hit me because I wouldn't sign something.”

“What?”

“He brought papers.”

Helena stood.

“What papers?”

“I didn't read them.”

“What did they look like?”

“Legal documents. Transfer forms.”

Helena closed her eyes.

“God.”

Dante's voice became quiet.

“Where are they?”

“Adrian had them.”

Luca's phone buzzed.

He answered.

Listened.

Then looked at Dante.

“We found Adrian.”

Elena's stomach dropped.

“Where?”

“North lawn.”

“Alive?”

Luca hesitated.

“Yes.”

Elena exhaled.

“But someone shot him.”

The room froze.

Luca continued.

“He's conscious.”

Elena moved toward the door.

Then Luca added the part that stopped her.

“He keeps saying the same thing.”

Dante's eyes narrowed.

“What?”

Luca looked directly at Elena.

“He says Elena isn't Gabriel Caruso's daughter.”

Elena stared.

May you like

“What?”

“And he says Marco has known that from the beginning.”

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