Chapter 10 - THE DOOR IN THE GARDEN
The golden key was heavy in Luca’s palm.
I stared at the intricate engraving on the bow of the key: C.M.
Clara Moretti.
Luca’s mother had died when he was only ten years old.
According to the staff, she had been a gentle, artistic woman who hated the violence of the syndicate life.
She was the one who had bought Michael the silver watch for their anniversary, hoping to tether him to time, to family, to home.
“Why would my father bury a key belonging to my mother?” Luca murmured, running his thumb over the gold metal.
“Maybe Elias knows?” I suggested.
Luca shook his head.
“I spoke to Elias at the hospital this morning. He said my father put the velvet box in the tin the night before he died. He never told Elias what it opened.”
I looked at the key closely.
The teeth were unique. Complex.
It wasn’t a key for a safe or a modern lock.
It looked like a door key. An old one.
Suddenly, a bark echoed down the hallway.
Atlas trotted into the study, his nails clicking on the hardwood floor.
Mia trailed behind him, holding a half-eaten piece of bacon.
“He wanted to show me something,” Mia said, pointing at the dog.
Atlas walked directly to Luca’s desk.
He sniffed the rusted field box.
Then, he nudged the velvet jewelry box with his wet nose.
Luca smiled, kneeling to pet the dog’s good ear.
“You know what this is, old man?”
Atlas gave a soft boof.
He turned and walked toward the French doors that led out to the massive, sprawling estate gardens.
He stopped at the glass, looking back over his shoulder.
Waiting for us.
Luca looked at me.
I grabbed my jacket.
The morning air was crisp and clean, smelling of wet grass and fresh rain.
Atlas led us down the stone path, away from the carriage house, away from the scene of last night’s violence.
He led us toward the far east corner of the property.
The east gardens had been overgrown for years.
The groundskeepers rarely came back here. It was a dense thicket of old weeping willows, wild rose bushes, and thick ivy.
Atlas stopped in front of a massive, ten-foot-tall stone wall covered entirely in creeping green vines.
He sat down and wagged his tail.
“It’s a dead end,” I said, looking at the solid stone.
But Mia stepped forward.
She reached out, her small hands brushing aside a thick curtain of ivy.
“No, it’s not.”
Beneath the vines was dark, weathered oak wood.
A door.
It was built directly into the stone wall, perfectly hidden by decades of overgrowth.
In the center of the wood, tarnished black with age, was a heavy brass keyhole.
Luca stepped forward.
He looked at the golden key in his hand.
He slid it into the lock.
It fit perfectly.
Luca turned the key.
A loud, heavy clack echoed from within the wood.
The hinges screamed in protest as he pushed the heavy oak door open.
Sunlight poured into the hidden space.
We stepped inside.
I gasped.
It was a secret garden.
But not just a garden. It was a sanctuary.
In the center was a beautiful marble fountain, long dry but perfectly intact.
Surrounding it were stone benches, weathered statues, and rows of flower beds that had grown wild and beautiful.
But it was the back wall that caught my attention.
Carved into the stone was a massive mural.
A beautiful, colorful mosaic of the sun setting over a quiet ocean.
“My mother painted that,” Luca whispered, stepping toward it.
Mia ran to the fountain, delighted by the hidden world.
Atlas laid down in a patch of warm sunlight, closing his eyes in pure contentment.
I walked beside Luca as he approached a small stone table near the mural.
On the table sat a metal tin, sealed tight.
Luca opened it.
Inside was a single letter, preserved perfectly.
It was addressed to Luca.
May you like
In his father’s handwriting.
TITLE: The Final Truth
